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| Record 151 of 1411 |
| | Author | | Peña Gutiérrez, Isaías
| | | Title | | Ensayos y contraseñas de la Literatura Colombiana (1967-1997), Books
| | | Publisher | | Universidad Central | | | Publication place | | Bogotá, Colombia | | | Publication year | | 2002 | | | Page | | 244-252, 298-299 | | | Volume | | | | | Issue | | | | | Notes | | This book gathers articles, essays and notes about Colombian literature written between 1967 and 1997. Gabriel García Márquez takes the lead in what the author calls "the mid-century generation." | | | URL | | | |
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| Record 152 of 1411 |
| | Author | | Esteban, Ángel and Stéphanie Panichelli
| | | Title | | Gabo y Fidel: Un paisaje de una amistad
| | | Publisher | | Espasa | | | Publication place | | Madrid, Spain | | | Publication year | | 2004 | | | Page | | | | | Volume | | | | | Issue | | | | | Notes | | The authors have traced magazines, archives, newspapers, and have interviewed people who met Gabriel García Márquez. Gabriel García Márquez, obsessed with power, leaders, and the highest diplomatic mediation, saw in the Cuban patriarch the model for which Latin America could some day construct a proper socialism. This book comes from a double fascination: Cuba and literature, where the lives of Fidel Castro and Gabriel García Márquez are told with their grandeur and misery. | | | URL | | | |
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| Record 153 of 1411 |
| | Author | | Henríquez Torres, Guillermo
| | | Title | | El misterio de los Buendía: El verdadero trasfondo histórico de Cien años de soledad
| | | Publisher | | Editorial Nueva América | | | Publication place | | Bogotá, Colombia | | | Publication year | | 2003 | | | Page | | | | | Volume | | | | | Issue | | | | | Notes | | This work relies on the hypothesis that Aureliano Buendía's character is based on the life of General Ramón Demetrio Morán. Thus Henríquez affirms that One Hundred Years of Solitude has been written in code and the literary style of the Nobel's fantasy and imagination impeded to find the true background of the novel. | | | URL | | | |
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| Record 154 of 1411 |
| | Author | | Arango L., Manuel Antonio
| | | Title | | Literatura y conciencia social en nueve escritores representativos de Hispanoamérica.
| | | Publisher | | Pliegos | | | Publication place | | Madrid, Spain | | | Publication year | | 2003 | | | Page | | | | | Volume | | | | | Issue | | | | | Notes | | This book constitutes a profound analysis of the partial work of a number of selected texts, that point out the socio-historic character in nine hispanic novelists. This series of critical essays about nine representative authors by Manuel Antonio Arango L., is a clear effort to study and deepen the social context of Hispanic literature and integrate it to the history of Hispanic America. | | | URL | | | |
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| Record 155 of 1411 |
| | Author | | Moreno Blanco, Juan
| | | Title | | La cepa de las palabras. Ensayo sobre la relación entre el universo imaginario Wayúu y la obra literaria de Gabriel García Márquez. Problemata iberoamericana
| | | Publisher | | Reichenberger | | | Publication place | | Kassel, Germany | | | Publication year | | 2002 | | | Page | | 149 p. | | | Volume | | 17 | | | Issue | | | | | Notes | | The interpretative proposal of this work that can very well be seen as a case of cultural study, opens the door to a necessary dialogue about the people who animated the previous readings of the literary work of the Colombian author and the pertinence that these might still have. It also suggests that a footpath of reading is left to go over to better understand the unfolded world of García Márquez's narrations and their hybridization so appropriate for the American world. | | | URL | | | |
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| Record 156 of 1411 |
| | Author | | Faris, Wendy B
| | | Title | | Ordinary Enchantments: Magical Realism and the Remystification of Narrative
| | | Publisher | | Vanderbilt University Press | | | Publication place | | Nashville, TN | | | Publication year | | 2004 | | | Page | | | | | Volume | | | | | Issue | | | | | Notes | | This work presents: 1) Definitions and locations: magical realism between modern and postmodern fiction. 2) "From a far source within": magical realism as defocalized narrative defocalization. 3) Encoding the ineffable: a textual poetics for magical realism. 4) "Along the knife-edge of change": magical realism and the post-colonial dynamics of alterity. 5) "Women and women and women": a feminine element in magical realism? | | | URL | | | |
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| Record 157 of 1411 |
| | Author | | Barrientos, Juan José
| | | Title | | Ficción-historia: La nueva novela histórica hispanoamericana.
| | | Publisher | | Universidad Nacional Autónoma de México, Coordinación de Difusión Cultural, Dirección de Literatura | | | Publication place | | México DF, México | | | Publication year | | 2001 | | | Page | | | | | Volume | | | | | Issue | | | | | Notes | | This work is a type of analysis that is traditionally known as a themeology, in other words, it talks about the interrelationships between the literary works of this kind. The author begins classifying the novels in the following categories: (a) "Enfoques," which is more or less the perspective through which the flow of information is regulated. (b) "Testigos," as the name says it. the witness of the novel is the same imaginary narrator, who at the same time, imposes his perspective. (c) "Intimidades," novels in which the author looks behind the characters and relevant historic situations, he expresses that the reader is who solicits that intimate look. (d) "Posmodernidad," where the new historic novel coincides with the postmodernism. (e) "Irreverencia," Robert Graves was the first that included this characteristic in the historic novels, by taking history precisely as a sketch made by historians and completed by the novelists. (f) "Depuración," by the interpretation of the author, is an inherent process to the historic novel, for which in Anglosaxon literature, there has been a distinction between romance and novel. (g) "Pronósticos," where it says that literary criticism should also be prospective, lastly (h) "Diferencias," where the author exposes his theoric differences with Seymour Menton. | | | URL | | | |
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| Record 158 of 1411 |
| | Author | | Arango L., Manuel Antonio.
| | | Title | | Gabriel García Márquez y la novela de la violencia en Colombia.
| | | Publisher | | Fondo de Cultura Económica | | | Publication place | | México DF, México | | | Publication year | | 1985 | | | Page | | | | | Volume | | | | | Issue | | | | | Notes | | Critical summary of the fourteen novelists that focus their work on violence. Grouping the novels by author, Arango systemizes the analysis of violence in each Colombian province through the writings of García Márquez, Álvaro Cepeda and Manuel Zapata, among others. | | | URL | | | |
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| Record 159 of 1411 |
| | Author | | Kline, Carmenza.
| | | Title | | Los orígenes del relato: Los lazos entre ficción y realidad en la obra de Gabriel García Márquez. Estudios filológicos/Universidad de Salamanca
| | | Publisher | | Ediciones Universidad de Salamanca | | | Publication place | | Salamanca, Spain | | | Publication year | | 2003 | | | Page | | 217 p. | | | Volume | | 302 | | | Issue | | | | | Notes | | Previously published under Ceiba Editores in 1992. The considerable criticism and interpretative literature about Gabriel García Márquez has transformed him into a "stranger," and for the Colombian readership, his work has become something "unknown," states Carmenza Kline. Her goal is to give back the original spirit of the works, which was prevalent at the time of their writing. She provides excellent coverage of articles written about García Márquez and his works in the Colombian Press, something which is not always available in the USA. | | | URL | | | |
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| Record 160 of 1411 |
| | Author | | Bloom, Harold
| | | Title | | One Hundred Years of Solitude
| | | Publisher | | Northam, Chelsea House, Roundhouse | | | Publication place | | Broomall, PA | | | Publication year | | 2003 | | | Page | | | | | Volume | | | | | Issue | | | | | Notes | | "Since its publication in 1967, One Hundred Years of Solitude has sold well over 10 million copies and earned its author, Gabriel García Márquez, a host of awards including the Nobel Prize for Literature in 1982. The novel has brought about comparisons to Cervantes, Faulkner, Woolf, and even the bible. This book is part of Harold Bloom's Modern Critical Interpretations." -Publisher | | | URL | | | |
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