Gabriel García Márquez Collection

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  Record 41 of 64
  AuthorTomasso, Vincenzo de
  TitleNarratori Ispanoamericani del Novecento
  PublisherVecchiarelli Editore
  Publication placeManziana, Rome
  Publication year2003
  Page
  Volume
  Issue
  NotesThis book discusses the history and criticism in Latin American fiction in the 20th century and mentions Gabriel García Márquez on pages 11, 24-37, and 42-45.
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  Record 42 of 64
  AuthorMellen, Joan
  Title"Nobel laureate
  PublisherThe Hearst Corporation
  Publication placeAlbany, NY
  Publication year2003
  PageJ4
  Volume
  Issue
  Notes"Living to Tell the Tale, an astonishing first volume of the memoirs of Nobel laureate Gabriel García Márquez, closes with the author at age 28 leaving Colombia for Europe, a two-week assignment he stretches to three years. He is more than a decade from the string of masterpieces that will begin with One Hundred Years of Solitude." -Mellen
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  Record 43 of 64
  AuthorSmith, Jon, and George B. Handley
  Title"Oedipus in the Americas: Lone Star and the Reinvention of American Studies," Forum for Modern Language Studies
  PublisherOxford University Press
  Publication placeSt. Andrew, Scotland
  Publication year2004
  Page160-181,
  Volume40
  Issue2
  Notes"John Sayles's film Lone Star provides insights relevant to the task of remapping "The South" within a broader hemispheric context. In his homage to the genealogical obsessions of such writers as Faulkner and García Márquez, Sayles explores the challenge posed by the determinism of a paternalistic past. The film stresses the paradoxical meaning of incest as reconciliation: history must be revisited precisely so that it can be rendered irrelevant to the task of re-imagining racial and regional identities in a plural America."
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  Record 44 of 64
  AuthorGates, David
  Title"Of a Life Foretold: García Márquez
  PublisherNewsweek
  Publication placeNew York, NY
  Publication yearNovember, 2003
  Page65
  Volume
  Issue
  Notes"So it's appropriate that this master synthesizer of high and popular culture, who wrote One Hundred Years of Solitude listening only to Debussy's preludes and the Beatles" "A Hard Day's Night," ends the first volume of his projected three-part memoir with a cliffhanger... The next installments may or may not appear-- García Márquez, 75, is recovering from cancer-- and though he's surely the world's most influential living writer, we may or may not stay tuned." -Gates
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  Record 45 of 64
  AuthorBoldy, Steven
  Title"One Hundred Years of Solitude by Gabriel García Márquez," in The Cambridge Companion to the Latin American Novel Edited by Efrain Kristal
  PublisherCambridge University Press
  Publication placeCambridge, NY
  Publication year2005
  Page258-269
  Volume
  Issue
  Notes"According to many testimonies, like García Márquez's exact contemporary the Mexican Carlos Fuentes or the Colombian critic many years younger than both, Michael Palencia Roth, 'Cien años de soledad (One Hundred Years of Solitude)' is the one novel where Latin Americans recognize themselves instantly: their own social, cultural reality, their families, and the history of their countries. It is also the mirror in which a generation of Europeans and North Americans, by the millions, since its publication, have discovered the magical reality of an exotic continent, and a taste for its hallucinatory literature. Are they reading the same novel?"
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  Record 46 of 64
  AuthorGilard, Jacques
  Title"Otro texto costeño de García Márquez: El mismo pero distinto," Caravelle
  PublisherInstitut d'etudes hispaniques, hispano-américaines et luso brésiliennes de l'université
  Publication placeToulouse, France
  Publication year2002
  Page257-264
  Volume
  Issue79
  NotesGilard mentions that "Relatos de un viajero imaginario," a text that appeared signed with the pseudonym of Lorenzo Magadalena, was García Márquez. This was initially published in El Espectador of Bogotá.
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  Record 47 of 64
  AuthorSantos-Phillips, Eva
  Title"Power of the Body in the Novella The Incredible and Sad Tale of Innocent Eréndira and Her Heartless Grandmother and the Film Eréndira," Literature Film Quarterly
  PublisherSalisbury State College
  Publication placeSalisbury, MD
  Publication year2003
  Page118
  Volume31
  Issue2
  Notes"Explores the representation of power and in showing how the body can serve as a means to achieve everyone's desires, goals, and freedom in the novel The Incredible and Sad Tale of Innocent Eréndira and of Her Heartless Grandmother by Gabriel García MárquezS and the film "Eréndira," scripted by García Márquez. Master/slave theory in both texts. Representation of freedom for Eréndira. Battle for power and hegemony in the film and novel."
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  Record 48 of 64
  AuthorMunguía Zatarain, Martha Elena
  Title"Poética de la solidaridad en algunos cuentos de Gabriel García Márquez," Latino América
  Publisher
  Publication placeMéxico DF, México
  Publication year1999
  Page275-301
  Volume
  Issue32
  NotesMunguía Zatarain's analysis is oriented towards the exploration of certain poetic features in some stories by Gabriel García Márquez; included in the collection are Los funerales de la Mamá Grande and La increíble y triste historia de la cándida Eréndira y de su abuela desalmada.
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  Record 49 of 64
  AuthorRama, Angel
  Title"Processes of Transculturation in Latin American Narrative," Journal of Latin American Cultural Studies
  PublisherCarfax
  Publication placeAbingdon, Oxfordshire, UK
  Publication yearNovember, 1997
  Page155-171
  Volume6
  Issue2
  NotesRama discusses the process of transculturation in Latin American narrative, which occurred when the urban, modernist literary movements of fantastic and critical realist literature challenged the prevailing regionalist literary movement in the 1930s. Although initially hostile to this foreign and urban encroachment, regionalist authors developed a literature that rearticulated their cultural structure but maintained its rural orientation, thus enacting a model of "cultural plasticity" in which the traditional and the new are integrated. The modernist interest in fantastic literature, for example, led regionalist authors to reexamine mythical sources that had been hidden by their preference for social realism. A brief reading of works by Jose Maria Arguedas, Juan Rulfo, Joáo Guimaráes Rosa, and Gabriel Garcia Marquez exemplifies this process of transculturation.
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  Record 50 of 64
  AuthorWiersema, Robert
  Title"Realism, not Magic," The Toronto Star
  PublisherToronto Star Newspapers, Ltd.
  Publication placeToronto, Canada
  Publication yearMarch, 2004
  PageEntertainment D13
  Volume
  Issue
  Notes"For longtime readers of Gabriel García Márquez, Living to Tell the Tale will be as welcome as a cool breeze, and cause the same sort of full-body shiver. The first volume of a projected autobiographical trilogy from the Colombian Nobel laureate, Living to Tell the Tale is genuinely surprising in what it reveals of the writer's early life, his writing, and how the two interweave." -Wiersema
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