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| Record 21 of 64 |
| | Author | | Rivera de la Cruz, Marta
| | | Title | | "Intertexto, autotexto: La importancia de la repetición en la obra de Gabriel García Márquez," Revista de Estudios Literarios
| | | Publisher | | Universidad Complutense de Madrid | | | Publication place | | Madrid, Spain | | | Publication year | | 1997 | | | Page | | | | | Volume | | | | | Issue | | 6 | | | Notes | | Viewed on January 15, 2008. |The intertextual dispute has been widely studied by critics of the European and American schools, even though there are several divergent points when it comes to proportioning a concrete denomination, unique and valid in intertextuality. | | | URL | | Especulo: Revista de estudios literarios http://www.ucm.es/info/especulo/numero6 | |
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| Record 22 of 64 |
| | Author | | Almarza, Sara
| | | Title | | "La amplia pertenencia de Gabriel García Márquez," Mapocho
| | | Publisher | | | | | Publication place | | Mapocho, Chile | | | Publication year | | Second Semester, 2001 | | | Page | | 101-108 | | | Volume | | | | | Issue | | 50 | | | Notes | | This article analyzes the continuous presence of Darwinian elements in Gabriel García Márquez's works. For example, how the writer reduces and at the same time expands his pertinence. Almarza reflects on Gabriel García Márquez's texts, characters who live in the sun, humidity, rain and sea. The rain, the heat, and the humidity come to be the omnipresent element in his texts. It is a genetic mark; for Dostoyevsky this mark was the weight of individual conscience and for Balzac it is money or the inheritance of the characters, but for Gabriel García Márquez the genetic mark is the climatic presence of the Caribbean in his narrative creatures. | | | URL | | | |
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| Record 23 of 64 |
| | Author | | Cobo-Borda, Juan Gustavo
| | | Title | | "La cocina literaria de Gabriel García Márquez," Punto de Vista
| | | Publisher | | | | | Publication place | | Buenos Aires, Argentina | | | Publication year | | July, 2001 | | | Page | | 10-14 | | | Volume | | 70 | | | Issue | | 49 | | | Notes | | The author chooses to analyze how after Gabriel García Márquez won the Nobel prize, his novel reaches a broad diffusion, almost losing its roots, thus becoming pertinent that these be traced, reconstructing, piece by piece, the passionate process with which a writer comes to be who he is, in a continuous counterpoint of exploration of the reality and assimilation of the literary forms that allow him to express himself. | | | URL | | | |
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| Record 24 of 64 |
| | Author | | Rama, Angel
| | | Title | | "La narrativa de Gabriel García Márquez: edificación de un arte nacional y popular," Crítica literaria y utopía en América Latina
| | | Publisher | | Editorial Universidad de Antioquia | | | Publication place | | Medellín, Colombia | | | Publication year | | 2006 | | | Page | | 436 | | | Volume | | | | | Issue | | | | | Notes | | "Este cursillo va a tratar de una tésis sobre la formación de la literatura, apoyada fundamentalmente en textos de la novelística de García Márquez, lo cual indica usar un tanto a García Márquez como ejemplo para la demostración de una teoría literaria. Ahora bien, los textos fundamentales que vamos a trabajar son 'La hojarasca', 'El coronel no tiene quién le escriba', y 'Cien años de soledad'; además usaremos, desde luego, algunos otros materiales que pertenecen a cuentos o diversas fuentes e informaciones que reseñaré directamente y por extenso si es necesario." | | | URL | | | |
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| Record 25 of 64 |
| | Author | | Samper, Adlai Stevenson
| | | Title | | "La Negra Eufemia," In Polvos en la Arenosa: Cultura y burdeles en Barranquilla
| | | Publisher | | Fundación Cultural Nueva Música: La Iguana Ciega | | | Publication place | | Barranquilla, Colombia | | | Publication year | | 2005 | | | Page | | 91-103 | | | Volume | | | | | Issue | | | | | Notes | | In this chapter the author describes Gabriel García Márquez's integration of "La Negra Eufemia" into "Cien años de soledad." | | | URL | | | |
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| Record 26 of 64 |
| | Author | | Williams, Raymond Leslie
| | | Title | | "La novela colombiana: La década de los setenta," Hispanorama
| | | Publisher | | Hispanorama | | | Publication place | | Nurenberg, Germany | | | Publication year | | November, 1981 | | | Page | | 129-134 | | | Volume | | | | | Issue | | | | | Notes | | Williams reviews major Colombian novels published during the 1970s, pointing out the influence of Cien años de soledad on Colombian writers, especially in the use of humor. He also states that El otoño del patriarca was the most important novel of the 1970s, which show a complex narrative technique. In it, García Márquez leaves behind Macondo and its inhabitants. | | | URL | | | |
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| Record 27 of 64 |
| | Author | | Terao, Ryukichi
| | | Title | | La novelística de la violencia en América Latina
| | | Publisher | | Universidad de Los Andes Consejo de Publicaciones | | | Publication place | | Merida, Venezuela | | | Publication year | | 2005 | | | Page | | 219 | | | Volume | | | | | Issue | | | | | Notes | | | | | URL | | | |
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| Record 28 of 64 |
| | Author | | Olsen, Margaret M
| | | Title | | "La patología de la africanía en Del amor y otros demonios de García Márquez," Revista Iberoamericana
| | | Publisher | | Instituto Nacional de Literatura Iberoamericana | | | Publication place | | Pittsburgh, PA | | | Publication year | | Oct-Dec, 2002 | | | Page | | 1067-1080 | | | Volume | | 68 | | | Issue | | 201 | | | Notes | | Olsen analyzes the African presence in Del amor y otros demonios, in which this culture takes a very central and explicit role, unlike in his other narrative works. This essay proposes that the novel, by giving a multitude of colonially-marginalized characters a voice, participates in a project to question colonialism and modernity that has traditionally silenced and excluded these groups in Latin American literary works. | | | URL | | | |
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| Record 29 of 64 |
| | Author | | Cuartas R., Juan Manuel
| | | Title | | "Las vidas de Gabriel García Márquez," Diálogos Latinoamericanos
| | | Publisher | | | | | Publication place | | Aarhus, Denmark | | | Publication year | | June, 2002 | | | Page | | 1-10 | | | Volume | | 6 | | | Issue | | | | | Notes | | This essay discusses Gabriel García Márquez's first volume of his memoirs, Vivir para contarla, and goes into deeper analysis of what constitutes a memoir. The author also discusses Gabriel García Márquez's genius at keeping the reader hooked onto his book. | | | URL | | | |
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| Record 30 of 64 |
| | Author | | Escóbar Mesa, Augusto
| | | Title | | "Lectura crítica de las historias literarias colombianas," Polígramas
| | | Publisher | | Universidad del Valle | | | Publication place | | Cali, Colombia | | | Publication year | | June, 2003 | | | Page | | 75-92 | | | Volume | | | | | Issue | | 19 | | | Notes | | "To debate, question, and revise the past and the future of literary reality goes beyond making an inventory of works and authors. It requires making a better appraisal in order to highlight Colombian literature in the context of its historiography to attempt to convert these literary histories into the history of a culture." Escobar Mesa notes the importance of García Márquez as a pioneer in magical realism and its effect on literature. | | | URL | | | |
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