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| Record 1 of 64 |
| | Author | | Forero, Juan
| | | Title | | "A Storyteller Tells His Own Story: García Márquez, Fighting Cancer, Issues Memoirs," New York Times
| | | Publisher | | | | | Publication place | | New York, NY | | | Publication year | | October, 2002 | | | Page | | B-1 | | | Volume | | | | | Issue | | | | | Notes | | "He had always been the most disciplined of writers, sitting early in the morning before his trusty Macintosh, the magical, poetic words that have defined Latin America spilling from his head. That part never changed. But then Gabriel García Márquez, the 1982 Nobel laureate from Colombia and the foremost author in Latin America, learned in 1999 that he had lymphatic cancer." | | | URL | | | |
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| Record 2 of 64 |
| | Author | | Cortés, María Lourdes
| | | Title | | "Amor y tración: cine y literartura en América Latina"
| | | Publisher | | Editorial de la Universidad de Costa Rica | | | Publication place | | San José, Costa Rica | | | Publication year | | (1999) | | | Page | | | | | Volume | | | | | Issue | | | | | Notes | | This book talks about love and betrayal within Latin American literature and film. The book has a section entitled "García Márquez en el cine: la primera pasión." The book includes a list of GGM books that have been adapted into film (347), as well as copies of the film poster for "Crónica de una muerte anunciada" (1986). | | | URL | | | |
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| Record 3 of 64 |
| | Author | | Giraldo B., Luz Mary
| | | Title | | "Colombia y su Literatura: Balance del siglo XX," Revista Javeriana
| | | Publisher | | | | | Publication place | | Bogotá, Colombia | | | Publication year | | June, 2002 | | | Page | | 18-28 | | | Volume | | 138 | | | Issue | | 685 | | | Notes | | After admitting for a long time, and in some cases in a simple and compliant manner, the definition of Colombia as a "land of poets" and of Bogotá as "The Athens of South America," new writers and scholars put these concepts on trial and try to formulate a literary and different cultural conscience,while giving explanations to thought and the expressive forms of the past. | | | URL | | | |
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| Record 4 of 64 |
| | Author | | Gissi Bustos, Jorge
| | | Title | | "Cosmovisión y psicoantropología de América Latina en Gabriel García Márquez," Revista Chilena de Literatura
| | | Publisher | | Universidad de Chile, Facultad de Filosofía y Humanidades, Departamento de Literatura | | | Publication place | | Santiago, Chile | | | Publication year | | November, 2002 | | | Page | | 145-185 | | | Volume | | | | | Issue | | 61 | | | Notes | | "This article represents an "analysis" and "interpretation" (Kayser) of García Márquez, particularly of his most famous novel. The psychosemantics in the title already reveals the power of myth, displayed in the archetype (Jung) of Macondo, Úrsula, of Time, etc. The perspective applied to the novel includes and integrates psychohistorical, psychomythological and ethnopsychological dimensions, clearly in the vanguard of contemporary psychology. This interpretation not only appeals to Freud and Jung, but also to the psychological and social sciences of the Latin America of today." -Abstract at the end of article | | | URL | | | |
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| Record 5 of 64 |
| | Author | | Gil Flores, Ubaldo
| | | Title | | "Crónicas del cinéfilo: "El coronel no tiene quien le escriba,"" Ciberalfaro: Texto Académico de Investigación y de Creación
| | | Publisher | | Mar Abierto | | | Publication place | | Manta, Ecuador | | | Publication year | | November, 2002 | | | Page | | 137-140 | | | Volume | | | | | Issue | | 5 | | | Notes | | Gil Flores compares and contrasts the movie "El coronel no tiene quien le escriba," directed by the Mexican director, Arturo Ripstein, and the book that inspired the movie, by Gabriel García Márquez. | | | URL | | | |
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| Record 6 of 64 |
| | Author | | Jairo Junieles, John
| | | Title | | "Cuando Gabo dormía sobre papel periódico," Sala de Prensa, Proceso
| | | Publisher | | Proceso | | | Publication place | | México DF, México | | | Publication year | | November, 2002 | | | Page | | | | | Volume | | 4 | | | Issue | | 2 | | | Notes | | Viewed on 24 January, 2008.||"With the upcoming memoirs of García Márquez, here we present some episodes of his life that have been ignored, starting with the reading of Cómo aprendió a escribir García Márquez, an investigation by author and journalist, Jorge García Usta." | | | URL | | http://www.saladeprensa.org/art400.htm | |
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| Record 7 of 64 |
| | Author | | Williams, Raymond L; Guerrieri, Kevin G
| | | Title | | Culture and Customs of Colombia
| | | Publisher | | Greenwood Press | | | Publication place | | Westport, CT | | | Publication year | | 1999 | | | Page | | | | | Volume | | | | | Issue | | | | | Notes | | Chapter 7 of the book, entitled "Gabriel García Márquez: the Writer and the Man", is dedicated to discussing Gabriel García Márquez. | | | URL | | | |
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| Record 8 of 64 |
| | Author | | Cuiñas, Ana Gallego
| | | Title | | "De titanes, mitos y dictadores: la ficción delirante en 'El otoño del patriarca," Insula
| | | Publisher | | Insula, Librería, Ediciones y Publicaciones, S.A. | | | Publication place | | Madrid, Spain | | | Publication year | | (March 2007) | | | Page | | pp. 6 | | | Volume | | 62 | | | Issue | | 723 | | | Notes | | "Bercht en 'Los negocios del señor Junio César' nos decía que los grandes hombres se han esforzado siempre por ocultar el verdadero móvil de sus actos. Sin lugar a dudas, Julio César era un gran hombre, y quizás por esta razón García Márquez habría de afirmar que aprendió mucho de él, esto es, que aprehendió los modos de actuación que adoptó su fascinante delirio de dictador. García Márquez hubiera quierido crear un personaje como el Julio César en la literatura (1), pero Roma no es el Caribe y sus dictafores no son <>. Lo único que permanece invariable en ambos casos es el enigma del poder, su delirio. Entonces, la pregunta se precipita: por quéno se cuentan siempre las mismas historias del mismo modo?" | | | URL | | | |
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| Record 9 of 64 |
| | Author | | Otamendi, Araceli
| | | Title | | ""El mismo cuento distinto" - Gabriel García Márquez; "El hombre en la calle," George Simenon," Quadernos Digitales
| | | Publisher | | Quadernos Digitales | | | Publication place | | Buenos Aires, Argentina | | | Publication year | | 2003 | | | Page | | | | | Volume | | | | | Issue | | | | | Notes | | Viewed on July 8, 2004.||In homage to George Simenon, master of the police thriller, this article provides commentary on this book that brings together two tales, one of Gabriel García Márquez on a story of Simenon, and the other a tale written by Simenon. | | | URL | | . | |
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| Record 10 of 64 |
| | Author | | García Usta, Jorge
| | | Title | | "El período Cartagena de García Márquez. Mitificación de una génesis periodística y literaria," Historia y Cultura: Revista de la Facultad de Ciencias Humanas, Universidad de Cartagena
| | | Publisher | | Universidad de Cartagena | | | Publication place | | Cartagena, Colombia | | | Publication year | | July, 1993 | | | Page | | 149-199 | | | Volume | | 1 | | | Issue | | 1 | | | Notes | | García Usta states that even though Cartagena was where one of the fundamental periods in the literary and journalistic formation of Gabriel García Márquez, and even though Cartagena is the second most important stage -- real, fictional, or multipurpose-- after Macondo, it has been subtly disdained by the most divulged interpretation of his literary genesis. | | | URL | | | |
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