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| Record 451 of 1411 |
| | Author | |
| | | Title | | "El orgullo de la familia," El Tiempo
| | | Publisher | | El Tiempo | | | Publication place | | Bogotá, Colombia | | | Publication year | | October, 2002 | | | Page | | | | | Volume | | | | | Issue | | | | | Notes | | Available with subscription.||This is an editorial essay which provides some information about Gabriel García Márquez's memoirs, Vivir para contarla and includes some details provided in the book. It also states how not only is Gabriel García Márquez making his family proud, but he is also the pride of Colombia, of those who speak his same language, of those who also share the same kind of job. Vivir para contarla is not only the life of Gabriel García Márquez, but also the story, an allegory of the Colombia full of violence, magic, solitude, austerity, horror, creative spirit, and ghosts. | | | URL | | http://eltiempo.terra.com.co/PROYECTOS/gabo/EXPER/expertos/ARTICULO-WEB-NOTA_INTERIOR-178672.html | |
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| Record 452 of 1411 |
| | Author | | Cebrían, Juan Luis
| | | Title | | "Gabo, en mi levitación," El País
| | | Publisher | | Diario El País | | | Publication place | | Madrid, Spain | | | Publication year | | September, 2002 | | | Page | | Cultura | | | Volume | | | | | Issue | | | | | Notes | | The author mentions a brief synopsis of some anecdotes of Gabriel García Márquez as a child, as told in Vivir para contarla. Also, the author talks about this set of memoirs, the years that have progressed as a brief chronology, and quotations from family members. | | | URL | | | |
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| Record 453 of 1411 |
| | Author | | Soria Romero, Luis, Fernando Rayo Tierno, and Gala Blasco Aparicio
| | | Title | | "La poesía de vanguardia (I)," Manual de literatura hispanoamericana IV Las Vanguardias
| | | Publisher | | Cénlit | | | Publication place | | Pamplona, Spain | | | Publication year | | 2002 | | | Page | | 166 | | | Volume | | | | | Issue | | | | | Notes | | This article is dedicated to Pablo Neruda, who in turn dedicated a poem to Gabriel García Márquez, because Neruda belived that García Márquez was one of the best-standing novelists. | | | URL | | | |
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| Record 454 of 1411 |
| | Author | | Cohn, Deborah N
| | | Title | | "Faulkner and Spanish America: Then and Now," Faulkner and Yoknapatawpha Conference (27th: 2000: University of Mississippi)
| | | Publisher | | University Press of Mississippi | | | Publication place | | Jackson, MS | | | Publication year | | 2003 | | | Page | | 50-67 | | | Volume | | | | | Issue | | | | | Notes | | "In 1997, when the University of Mississippi Libraries put together A Faulkner 100: The Centennial Exhibition, the University archivist invited Colombian author Gabriel García Márquez to contribute a piece. The reflections of this author who, in the archivist's words, "is indelibly associated with the number one hundred," were, appropriately, the final item in the exhibition of one hundred items of Faulkneriana." | | | URL | | | |
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| Record 455 of 1411 |
| | Author | | Pascal Mougin and Karen Haddad-Wotling
| | | Title | | "García Márquez (Gabriel)," Larousse: Dictionnaire mondial des Littératures
| | | Publisher | | Larousse | | | Publication place | | Paris, France | | | Publication year | | 2002 | | | Page | | 347 | | | Volume | | | | | Issue | | | | | Notes | | Brief biography and incorporated bibliography in text. | | | URL | | | |
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| Record 456 of 1411 |
| | Author | | Martínez Palau, Silvio
| | | Title | | "Veinticinco cuentos barranquilleros," La Casa de Asterión
| | | Publisher | | Universidad del Atlántico | | | Publication place | | Barranquilla, Colombia | | | Publication year | | | | | Page | | | | | Volume | | 1 | | | Issue | | 4 | | | Notes | | Viewed on 24 January, 2008.||Only in the last decades of the past century have Europe and the United States begun to notice Latin American literature, by reading it through the works of Borges and García Márquez. In literature only with García Márquez, the US and Europe noticed that in Latin America there was something to read, even to imitate. Almost all of the tales in "Veinticinco cuentos Barranquilleros" unites the city of Barranquilla and its surroundings. They are not stories of authors from Barranquilla, but stories of authors who reside there, or at one point resided there. However García Márquez is not included among them. Maybe it is because he never wrote a story with Barranquilla as the background. | | | URL | | http://lacasadeasterion.homestead.com/v1n3silvio~ns4.html | |
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| Record 457 of 1411 |
| | Author | | López, Kimberle S
| | | Title | | Latin American Novels of the Conquest. Reinventing the New World
| | | Publisher | | University of Missouri Press | | | Publication place | | Columbia, MO | | | Publication year | | 2002 | | | Page | | 5 | | | Volume | | | | | Issue | | | | | Notes | | "Many novels from the 1970s and 1980s demonstrate an awareness of this through intertextuality with the chronicles of conquest and colonization: Mexican Carlos Fuentes's Terra Nostra (1975); Colombian Gabriel García Márquez's El otoño del patriarca (1975), published in translation as The Autumn of the Patriarch; Cuban Alejo Carpentier's El arpa y la sombra (1979), published in translation as The Harp and the Shadow; Colombian Albalucía Ángel's Las andariegas (The wandering women, 1983); Argentine Griselda Gambaro's Lo impenetrable (1984); and Mexican Margo Glantz's Síndrome de naufragios (Shipwreck syndrome, 1984) do not represent linear historical narratives, nor do they deal exclusively with the conquest, but they do draw heavily upon the colonial chronicles in the formation of innovative narratives that transcend particular chronological periods." | | | URL | | | |
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| Record 458 of 1411 |
| | Author | |
| | | Title | | "Niegan ascenso a personaje de obra de "Gabo""
| | | Publisher | | El Diario | | | Publication place | | La Paz, Bolivia | | | Publication year | | February, 2004 | | | Page | | | | | Volume | | | | | Issue | | | | | Notes | | The promotion of the character who inspired El coronel no tiene quien le escriba of the 1982 Nobel laureate Gabriel García Márquez was not granted by a Colombian court, who denied a judicial action interposed for that purpose, the press in Bogotá announced. Nicolás Márquez Mejía, maternal grandfather of the writer, and who inspired this novel, waited for more than fifteen years for a letter that confirmed his military pension, but now he will continue without the official payment and without promotion. | | | URL | | http://www.eldiario.net/noticias/nt040227/6_02clt.html | |
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| Record 459 of 1411 |
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| Record 460 of 1411 |
| | Author | | Weinstein, Philip, Duvall, John N. and Ann J. Abadie, eds.
| | | Title | | "Postmodern Intimations. Musing on Invisibility: William Faulkner, Richard Wright, and Ralph Ellison," Faulkner and Postmodernism: Faulkner and Yoknapatawpha, 1999
| | | Publisher | | University Press of Mississippi | | | Publication place | | Jackson, MS | | | Publication year | | 2002 | | | Page | | 39-41, 192, 195 | | | Volume | | | | | Issue | | | | | Notes | | "How could the same characterizations have a purchase on textual worlds as different as Barthelme's parodic games, Italo Calvino's self-generating narratives, Gabriel García Márquez's magic realism, and Toni Morrison's brooding reframing of American history? In what follows, the postmodernist generalizations I shall offer refer mainly to the brilliant, brittle American fictions of the "60s and "70s." | | | URL | | | |
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