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| Record 1221 of 1411 |
| | Author | | Kinkley, Jeffrey C
| | | Title | | "The Republic of Wine (Book Review)", World Literature Today
| | | Publisher | | University of Oklahoma | | | Publication place | | United States | | | Publication year | | Summer 2000 | | | Page | | pp. 581-582 | | | Volume | | 74 | | | Issue | | 3 | | | Notes | | Reviews Mo Yan's "The Republic of Wine." Mentions that Yan's work owes debt to the writings of Faulkner and García Márquez. | | | URL | | | |
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| Record 1222 of 1411 |
| | Author | | DeCosta-Willis, Miriam
| | | Title | | Can(n)on Fodder: Afro-Hispanic literature, heretical texts, and the polemics of canon-formation. Afro-Hispanic Review
| | | Publisher | | Vanderbilt University, Department of Spanish and Portuguese | | | Publication place | | | | | Publication year | | Fall 2000 | | | Page | | pp. 30-39 | | | Volume | | 19 | | | Issue | | 2 | | | Notes | | Briefly mentions that García-Márquez is considered part of the Latin American canon of literature. | | | URL | | | |
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| Record 1223 of 1411 |
| | Author | | Mennell, D Jan
| | | Title | | "Memoria, midrash y metamórfosis en novia que te vea de Guita Schyfter: Un diálogo textual-visual," Chasqui.
| | | Publisher | | University of Georgia | | | Publication place | | United States | | | Publication year | | May 2000 | | | Page | | pp. 50-63 | | | Volume | | 29 | | | Issue | | 1 | | | Notes | | Mennell discusses the recent tendency to make popular Latin American novels, especially those with elements of magical realism, into films that become as popular as, or more popular than, the novels they are based on. He mentions García Márquez's success at converting some of his own stories into film, in particular, "Eréndira" and "Un hombre muy viejo con unas alas enormes." | | | URL | | | |
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| Record 1224 of 1411 |
| | Author | | Coronil, Fernando
| | | Title | | "Magical illusions or revolutionary magic? Chavez in historical context," NACLA Report on the Americas
| | | Publisher | | North American Congress on Latin America | | | Publication place | | United States | | | Publication year | | May/June 2000 | | | Page | | pp. 34-42 | | | Volume | | 33 | | | Issue | | 6 | | | Notes | | Coronil mentions García Márquez's perspective on Hugo Chavez's future as a revolutionary leader. He is quoted as saying, "I was overwhelmed by the feeling that I had just been traveling and chatting pleasantly with two opposing men. One to whom the caprices of fate had given an opportunity to save his country. The other, an illusionist, who could pass into the history books as just another despot.." | | | URL | | | |
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| Record 1225 of 1411 |
| | Author | | Noor, Ronny
| | | Title | | "Old Women: Statue and The Fairy Tale of Mohanpur," World Literature Today
| | | Publisher | | University of Oklahoma | | | Publication place | | United States | | | Publication year | | Spring 2000 | | | Page | | pp. 356-357 | | | Volume | | 74 | | | Issue | | 2 | | | Notes | | Noor discusses the difficult work of translation and takes Gregory Rabassa as an example, saying, "We all know the service Gregory Rabassa rendered to the Colombian novelist Gabriel Garcia Marquez in the English language. Without him, Garcia Marquez would not be what he is today in modern world literature. Thus a translator should remember, whatever her theoretical stance is on translation, she can make or break a writer in an alien tongue." | | | URL | | | |
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| Record 1226 of 1411 |
| | Author | | Bach, Caleb
| | | Title | | "Carlos Fuentes: Time to imagine," Américas
| | | Publisher | | Organization of American States | | | Publication place | | United States | | | Publication year | | Mar/Apr 2000 | | | Page | | pp. 22-27 | | | Volume | | 52 | | | Issue | | 2 | | | Notes | | Fuentes describes the enigmatic nature of Mexico, and Bach quotes him as saying, "You know, when Garcia Marquez feels he doesn't understand Mexico, what's going on-it's such a complicated country-he goes to the anthropological museum and stands in front of Coatlicue for half an hour and says 'Now I understand!' In Mexico there is this enigma, which is a great spurt to the writer and artist, of course." | | | URL | | | |
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| Record 1227 of 1411 |
| | Author | | Hampton, Janet Jones
| | | Title | | "Ana Castillo: Painter of Palabras," Américas
| | | Publisher | | Organization of American States | | | Publication place | | United States | | | Publication year | | Jan/Feb 2000 | | | Page | | pp. 48-53 | | | Volume | | 52 | | | Issue | | 1 | | | Notes | | Ana Castillo mentions that García Márquez was one of her major influences as a writer. | | | URL | | | |
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| Record 1228 of 1411 |
| | Author | | Cameron, Christopher David Ruiz
| | | Title | | "One Hundred Fifty Years of Solitude: REFLECTIONS ON THE END OF THE HISTORY ACADEMY
| | | Publisher | | Arizona State University; Hispanic Research Center | | | Publication place | | United States | | | Publication year | | January-April 2000 | | | Page | | pp. 1-22 | | | Volume | | 25 | | | Issue | | 1 | | | Notes | | Discusses the Treaty of Guadalupe Hidalgo and compares the issues of its historical relevance as compared to its political relevance. Quotes Gabriel García Márquez at the beginning of the article. | | | URL | | | |
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| Record 1229 of 1411 |
| | Author | | Mora, Jorge Aguilar
| | | Title | | "El Silencio de Nellie Campobello," Revista Andina de Letras
| | | Publisher | | Corporacion Editora Nacional | | | Publication place | | Ecuador | | | Publication year | | 2000 | | | Page | | pp. 55-79 | | | Volume | | | | | Issue | | | | | Notes | | Discusses Nellie Campobello and his influences on various authors' works including "Pedro Páramo" by Juan Rulfo and "One Hundred Years of Solitude" by Gabriel García Márquez. | | | URL | | | |
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| Record 1230 of 1411 |
| | Author | | Serrano, Raúl
| | | Title | | "Bestiario de cenizas," Kipus: Revista Andina de Letras
| | | Publisher | | Corporacion Editora Nacional | | | Publication place | | Ecuador | | | Publication year | | 2000 | | | Page | | pp. 136-139 | | | Volume | | 25 | | | Issue | | | | | Notes | | Analyzes and discusses Byron Rodriguez's "Bestiario de Cenizas." Brief mention of García Márquez's magical realism. | | | URL | | | |
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